Federal Communications Commission (FCC) - The Issue of White Space
Protecting Performing Arts Technology
Action Needed
There is currently no legislative "ask" for this arts advocacy topic. Please continue to stay informed about this issue and spread the word about the importance of protecting our wireless microphones.
Background
References to wireless audio devices used by the performing arts include: microphones, intercoms, in-ear monitors, certain walkie talkies, and or cueing/IFB systems. (The following does not refer to cellular phones, wireless datacards, LAN equipment, and other devices that don’t operate in the “white space” spectrum like ticket verification and assisted listening equipment.)
Over the past35 years, wireless audio devices used by the performing artshave operated on radio frequencies between the television broadcast channels, on the so-called "white space". Following the transition from analog to digital TV, television broadcasts will occupy less space within the TV band. Due to this transition, the Federal Communications Commission (FCC) conducted proceedings to re-examine shared use of the re-allocated broadcast spectrum. This re-examination included consideration by the FCC to either auction off the white space to the highest bidder or to open the white space to millions of unlicensedelectronic devices such as PDAs, cordless phones, and wireless laptops.
The performing arts community recognizes the benefits of greater access to the internet and encourages innovations that expand connectivity for underserved populations. At the same time, there is concern that shared use of the broadcast spectrum may open the door to increased radio interference to professional wireless microphone and audio systems, adversely affecting the ability of these systems to provide the high-quality performances that audiences have come to expect. We urge the FCC to make sure that incumbent users’ wireless microphone technology does not suffer interference.
Wireless microphone technology is commonly used in the performing arts, educational institutions, and Broadway productions across the country. This equipment has been used on stages for more than three decades, and has been continually refined to deliver a first-class sound environment. Since the early days of wireless microphones, this technology has freed performers from cumbersome microphone stands and other stationary mikes, allowing unrestricted movement and sophisticated sound. Wireless systems are also heavily utilized backstage for the two-way radios used by stagehands to communicate and execute complex technical activity.