Free Night of Theater - San Francisco
San Francisco
Theatre Bay Area's mission is to unite, strengthen and promote the theatre community in the San Francisco Bay Area - the third largest theatre center in the country, with more than 400 companies in 11 counties. We are driven by our conviction that the performing arts are an essential public good, critical to a healthy and truly democratic society, and invaluable as a source of personal enrichment and growth. Founded in 1976, Theatre Bay Area is today the largest regional theatre service organization in North America. Theatre Bay Area counts as members more than 375 theatre and dance companies, from multi-million dollar organizations to grassroots community groups; some3,000 individuals, including actors, directors, designers, playwrights, technicians, and theatre patrons; and more than 100 organizational members, from libraries and universities to theatre industry professional services. Theatre Bay Area's most prominent programs include TIX Bay Area ("online or in line" ticketing services), Theatre Bay Area magazine (a glossy monthly, reaching 10,000 readers), our website (www.theatrebayarea.org) containing one of the most comprehensive arts listings available, numerous re-granting programs for emerging theatre companies and local theatre artists, and advocacy for the theatre and dance community on the local, state and national level.
Budget
Secured 17 sponsors, including foundations, civic agencies, media and corporations and raised $253,834 in cash and in-kind support
EXPENSES |
INCOME |
|||
|---|---|---|---|---|
TBA Staff (4 months only) |
Cash |
|||
Executive Director @ 10% |
2,280 |
SF Convention & Visitors Bureau |
5,000 |
|
Business/Marketing Mgr @ 20% |
3,360 |
Irvine Foundation |
10,000 |
|
Company Services Mgr @ 20% |
2,533 |
Hewlett Foundation |
20,000 |
|
Ticketing Services Mgr @ 33% |
4,180 |
Applied Materials |
10,000 |
|
Ticketing Services Asst Mgr @ 33% |
2,803 |
Theatre Communications Group |
4,944 |
|
TBA support staff (extra hours) |
706 |
|||
TBA Staff subtotal |
15,862 |
Total Cash Income |
49,944 |
|
TBA Overhead (4 months only) |
In-kind |
|||
Rent @10% |
1,683 |
BART (place banners in stations, etc) |
68,000 |
|
Phones @ 10% |
400 |
Viacom Outdoor (posters in bus shelters) |
30,000 |
|
Insurance @ 10% |
167 |
KNBC TV (produce/air PSAs) |
25,000 |
|
Legal/Accounting @ 10% |
450 |
KGO Radio (produce/air PSAs) |
17,000 |
|
Repairs/Maintenance @ 10% |
417 |
San Jose Mercury News (ad space) |
25,000 |
|
TBA Overhead subtotal |
3,117 |
San Francisco Chronicle (ad space) |
10,000 |
|
Macy's (ad space in SF Chronicle) |
10,000 |
|||
Media/Launch Event coordinator |
532 |
San Francisco Magazine (ad space) |
8,890 |
|
Media/Launch Event: permits |
1,325 |
San Francisco Arts Commission (posters) |
5,000 |
|
Media/Launch Event: signage |
626 |
Arts polis (e mails to 11,000 members) |
5,000 |
|
Web Site: reservation system setup |
2,750 |
|||
PR Agency |
4,877 |
Total In-Kind Income |
203,890 |
|
VIP Reception |
1,110 |
|||
Online Advertising |
2,000 |
|||
Paid advertising |
623 |
|||
Printing |
5,696 |
|||
Postage |
642 |
|||
Supplies |
840 |
|||
Print 50,000 postcards (paid by TCG) |
3,342 |
|||
Print program inserts (paid by TCG) |
1,602 |
|||
Direct Expenses subtotal |
25,965 |
|||
TOTAL EXPENSES |
$44,944 |
|||
(not including $5,000 of Applied Materials money put to South Bay Publicity Distribution Network) |
||||
Grand Total |
$49,944 |
|||
Service Organization Staffing
For us, this was a huge project, and enormously time-consuming, taking a good deal of time from a number of out staff in various departments. The project took up a considerable portion of the executive director's time as well as the business/marketing manager (50% during 2 months before Free Night, and healthy portion in the summer as well). In addition the company services director and the company services associate were actively involved in recruiting theater participation. The ticketing services director and her staff of five were deeply involved in the two months before the start of Free Night. We hired a Web design firm to design and implement the online reservation system. We also had two interns dedicated to the project, one focusing on PR. We hired a PR consultant to handle the press outreach, while also involving the PR staff from 6 leading theaters as volunteers. We used in-house talent (the company services associate) to make necessary changes to ads, posters, etc.
Community Impact
The reaction was overwhelmingly positive, from both the theatre community, where 93 companies participated, and from the broader community, business and corporate, media, government, funders and general public. The campaign for us not only far surpassed our goal of 80 participating companies and 4,000 free seats, it also achieved the larger goal of promoting our theatre community to a large population ( 6 million people) spread out over nine counties. The visibility of our theatre community has never been larger.
We asked companies to donate the un-subscribed portion of their house, or at least 25%. Many gave more, even adding second performances, especially after we made our second solicitation for tickets, after the inventory sold out in the first week. I would prefer a large number of theatres participating with a portion of their houses over a smaller number of companies donating 100% of their houses. Our larger message,"Look how much theatre there is here!" is best communicated by a LONG list of theatres and shows. For the campaign to be perceived as meaningful, though, theaters must give a significant portion, such as the minimum we set.
Media Coverage
Advertising and Promotions
We also executed, with a great deal of in-kind support, a major marketing effort that placed adverting in various mass media: including online (sfgate.com, artsopolis.com, KGO radio Web site); major daily papers (SF Chronicle, San Jose Mercury News), weeklies (SF Weekly, The Bohemian); regional glossy magazine (SF Magazine); outdoor advertising (bus shelters in SF, regional commuter train stations); and radio/TV PSAs through our media partners.
We marketed the campaign with posters, 50,000 postcards, with email blasts through TIX Bay Area and through Artsopolis, which together reached more than 17,000 every week. Our media sponsor, KGO Radio, also sent an email blast to its 20,000 subscribers.
Mass Media Campaign
- 10 large banners in downtown and suburban stations of mass transit (BART)
- Large outdoor posters on 30 SF bus shelters
- Banner ads on sfgate.com, fourth largest newspaper site in USA
- 1,000 small posters to be posted by participating theaters
- 500 2 x 3 posters in lobbies of all theaters, and outdoor postings
- 50,000 postcards distributed to lobbies, performance venues
Public Relations
This was a huge success for us. We saw coverage multiple times in major Bay Area dailies (SF Chronicle, San Jose Mercury News, Oakland Tribune, Marin Independent Journal), were covered in free weeklies in various regions (SF Weekly, The Bohemian) and reported online postings (sfgate.com, oaklandtribune Web site). The program was also reported in media beyond the region (Christian Science Monitor, American Theatre).
Sponsorships (incl. PSAs, promotional emails, posting on web sites, advertising and hand-outs) secured:
- NBC 11
- KGO Radio
- Viacom Outdoor
- San Jose Mercury News
News Coverage generated
Local:
- September 19, 2005: The Mercury News Blog: “Free Theater tickets” by Karen D'Souza
- September 20, 2005: The Mercury News: “Theater ticket giveaway aims to raise arts awareness” by Karen D'Souza,
- Inside The Bay Area: “Free theater tickets? Yes!” by Chad Jones
- Wednesday, September 21, 2005: The Examiner: "Singing in the Square" by Cindy Chew
- Tuesday, September 27, 2005 : San Francisco Chronicle (on artsjournal.com): “4,000 People Will Get a Night of Free Theater Next Month” by Robert Hurwitt
- Wednesday, October 05, 2005 : SF Weekly: “So Cheap It’s Free” by Chloe Veltman
- Friday, October 07, 2005: The Willits News: “WCT Offers Free Theater”
- Friday, October 07, 2005: The Austin Chronicle: “Austin Theatre: Free for All (At Least for a Night)” by Robert Faires
- Friday, October 14, 2005: The San Francisco Chronicle: “A collision of creativity in Sonoma County - Free, daylong arts event unites talent" by David Tempelton
- Friday, October 14, 2005: The Stanford Daily: “Get Thee to the Theater – Bay Area Offers Free Shows” by Amin El Gamal
- Friday, October 14, 2005: The San Francisco Chronicle: “We Have a Long History of Being Rather Dramatic Around Here” by Joe Brown
- Sunday, October 16, 2005:San Francisco Chronicl : "Theatre Guide A-Z: A Dazzling Display See Stupendous Acts of the Stage" by Sam Hurwitt
- Wednesday, October 20, 2005: The Oakland Tribune: “See a Show for Free” by Chad Jones
- Tuesday, October 25, 2005: The San Francisco Chronicle: “Playhouse West Draws Viewers but Needs Cash” by Robert Hurwitt
National:
- Friday, October 14, 2005: The Christian Science Monitor :“Theater's youth movement” by Liza Weisstuch
Event listings (online):
- San Francisco Magazine: “National Free Theatre Day October 20, participating Bay Area theatres”
- VIA - The AAA's Traveler's Companion: “Events: National Free Theatre Day”, September / October 2005 Edition
- San Francisco Insider: “San Francisco Tip for September 26, 2005”September 26, 2005
- Metro Active: “Local theaters prepare to give it all away”, September 28, 2005
- San Francisco Weekly, National Free Theatre Day, September 20-October 20, 2005
- East Bay Express, September 25, 2005
- North Bay Business Journal, September 26, 2005
- San Francisco Bay Guardian, September 25, 2005
Pre-Free Night of Theater quote:
"The great thing about Free Night of Theater is that on October 20th, everyone in the Bay Area has the chance to be VIP and see terrific local theater for free," stated Theatre Bay Area's executive director, Brad Erickson.
Post event quote:
Brad Erickson, executive director of Theatre Bay Area, stated, "We were thrilled to see the response to Free Night of Theater here in the Bay Area. The support was extraordinary, from our theater companies and the broader community. The demand from the public for this kind of live artistic experience was overwhelming … tickets went so fast, we had to go back to our companies and ask for more!"
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