Board of Directors
TCG Board members represent a broad cross-section of the American theatre field and professional perspectives. They are united by their belief in TCG’s mission and dedicated to building a bond between TCG and the national theatre community.
Kathryn M. Lipuma, Chair
Larissa FastHorse, Vice Chair
Meghan Pressman, Vice Chair
Ellen Richard, Treasurer
Eileen J. Morris, Secretary
May Adrales, Associate Artistic Director; Milwaukee Repertory Theatre, Milwaukee, WI
Joseph P. Benincasa, President and CEO; The Actors Fund, New York, NY
Raymond Bobgan, Executive Artistic Director; Cleveland Public Theatre, Cleveland, OH
Jeremy B. Cohen, Producing Artistic Director; The Playwrights’ Center, Minneapolis, MN
Joshua Dachs, President; Fisher Dachs Associates Theatre Planning and Design; New York, NY
Will Davis, Director & Choreographer; New York, NY
Snehal Desai, Producing Artistic Director; East West Players, Los Angeles, CA
Kelvin Dinkins Jr., Assistant Dean/General Manager; Yale School of Drama/Yale Repertory Theatre, New Haven, CT
Teresa Eyring, Executive Director; Theatre Communications Group, New York, NY
Larissa FastHorse, Playwright and Choreographer; Santa Monica, CA
John Fontillas, Planner, Architect, Partner; H3, New York, NY
Nataki Garrett, Artistic Director; Oregon Shakespeare Festival, Ashland, OR
Angela Gieras, Executive Director; Kansas City Repertory Theatre, Kansas City, MO
Derek Goldman, Co-Founding Director, Laboratory for Global Performance and Politics; Director, Playwright/Adapter; Professor, Washington, DC
Jamie Herlich McIalwain, Director of Development; Seattle Repertory Theatre, Seattle, WA
Susan Hilferty, Costume and Set Designer; New York, NY
Rebecca Hopkins, Managing Director; Florida Studio Theatre, Sarasota, FL
Mara Isaacs, Founder and Executive/Creative Producer; Octopus Theatricals, New York, NY
Kathryn M. Lipuma, Executive Director; Writers Theatre, Glencoe, IL
Laurie McCants, Co-Founder; Bloomsburg Theatre Ensemble, Bloomsburg, PA
Johamy Morales, Director of Education; Seattle Children's Theatre, Seattle, WA
Kevin Moriarty, Artistic Director; Dallas Theater Center, Dallas, TX
Eileen J. Morris, Artistic Director; The Ensemble Theatre, Houston, TX
Lisa Portes, Head of Directing; The Theatre School at DePaul University, Chicago, IL
Meghan Pressman, Managing Director/CEO; Center Theatre Group, Los Angeles, CA
Francine T. Reynolds, Artistic Director; New Stage Theatre, Jackson, MS
Anthony Rodriguez, Co-Founder and Producing Artistic Director; Aurora Theatre, Lawrenceville, GA
Ellen Richard, Executive Director; Laguna Playhouse, Laguna Beach, CA
Blake Robison, Artistic Director; Cincinnati Playhouse in the Park, Cincinnati, OH
Nikkole Salter, Actress, Playwright, Educator, and Arts Advocate; Bloomfield, NJ
Tim Sanford, Artistic Director; Playwrights Horizons, New York, NY
Carlo Scandiuzzi, Philanthropist, Executive, and Community Leader; Seattle, WA
David Schmitz, Executive Director; Steppenwolf Theatre Company, Chicago, IL
Hana S. Sharif, Artistic Director; Repertory Theatre of St. Louis, St. Louis, MO
Harold Steward, Producing Co-Executive Director; The Theater Offensive, Boston, MA
Robert P. Warren, President; The William & Eva Fox Foundation, Bethesda, MD
May Adrales is a director, artistic leader and teacher and has directed over 25 world premieres, including Qui Nguyen’s Lortel Award and Obie Award winning, Vietgone and Poor Yella Rednecks. Her work has been seen at across the country including, Manhattan Theater Club, Lincoln Center, Second Stage, Signature Theater, South Coast Rep, Milwaukee Rep, Oregon Shakespeare Festival, Actors Theater of Louisville, The Goodman and Seattle Rep. She recently was awarded the TCG Alan Schneider directing award and the League of Professional Theater Women’s Josephine Abady Award, which recognizes the cultural diversity of her work. She is a former fellow at Drama League, Women's Project, SoHo Rep and New York Theater Workshop, and a recipient of the TCG New Generations Grant, Denham Fellowship and Paul Green Directing Award. She proudly serves as an Associate Artistic Director at Milwaukee Rep. She is a former Director of Artistic Programs at the Lark Play Development Center and Artistic Associate at The Public Theater. May has taught at Yale, Brown, Juilliard, Harvard/ART, ACT, Fordham, NYU and Bard. She is an arts advocate, participating in panel discussions and forums at Consortium of Asian American Theaters, Asian Arts Alliance, Statera, and SDC. MFA, Yale School of Drama.
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Joseph P. Benincasa is the President and CEO of The Actors Fund, the national human services organization that helps everyone in entertainment and the performing arts; he joined The Fund in 1989. Mr. Benincasa oversees innovative programs including comprehensive social services, health care services, employment and training, and affordable, supportive and senior housing. The Actors Fund’s headquarters are in New York City with regional offices in Los Angeles and Chicago, a nursing home in Englewood, NJ, and supportive housing residences in Manhattan, NY, West Hollywood, CA, and Brooklyn, NY. He is also President of the Actors Fund Housing Development Corporation which is building affordable, supportive and senior care residences for artists in major urban centers. He serves on the boards of directors of several organizations, including Broadway Cares/Equity Fights AIDS, Career Transition for Dancers, Learning Ally, the Human Services Council, National Executive Service Corps, the New Jersey Theatre Alliance, Theatre Communications Group, Times Square Alliance, the YMCA of New York City, Bio-Reference Laboratories and the Somerset Patriots, a minor league baseball team. He has been recognized with several honors, including The Actors Fund Medal of Honor, Tony Honors Award, New Jersey Legislature Excellence in Arts Award and inaugural Made in New York Award presented by Michael Bloomberg. He has served as chair of the New York Society of Association Executives, Secretary/Treasurer of the MusiCares Foundation and has lectured on not-for-profit management at Duke University, and served on the Tony Administration and Nominating Committees, and on the Board of Directors of St. Peter's University Medical Center. He is a member of The Lambs and Friars' Clubs. In 2011, he was awarded an Honorary Doctorate of Humane Letters by Centenary College and served on the New York State Attorney General’s Leadership Committee for Nonprofit Revitalization. Mr. Benincasa graduated from St. Joseph's University, earned a Masters from Rutgers University and attended the Graduate Business School at Fordham University. He is incredibly proud of how The Actors Fund helps everyone in the Creative Community.
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Raymond Bobgan specializes in working through an ensemble process to create new performances that are bold, multilayered and highly physical. Raymond’s work has been seen in Romania, Brazil, Denmark, Serbia, Turkey, The United Kingdom and Canada. Under his leadership, CPT has eliminated significant debt, run consistent operating surpluses, and completed a $7 million capital campaign. This financial advancement was a result of mission-focused programming including a strong emphasis on supporting new works and local artists, a bold aesthetic vision and CPT’s educational and engagement programs. For CPT, Raymond initiated the STEP program, a job training theatre program for low-income teens, Y-Haven Theatre Project which engages homeless men in writing and performing theatre, and Teatro Publico de Cleveland. Raymond was the first theatre artist to receive a Cleveland Arts Prize in 2014. In 2015 Raymond received Equality Ohio’s Ally Award and more recently received the Governor’s Award for the Arts in Ohio. He currently serves as President of the Board of the National New Play Network and is Chair The Gordon Square Arts District Cleveland Improvement Corporation Board.
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Jeremy B. Cohen Jeremy B. Cohen is starting his ninth season as the Producing Artistic Director of the Playwrights’ Center, having previously served as Associate Artistic Director/Director of New Play Development at Hartford Stage (2003-2010), where he also directed several premieres. He developed (Playwrights’ Center/Guthrie) and directed My Mother Has Four Noses with Jonatha Brooke in its World Premiere off-Broadway at The Duke on 42nd Street, as well as its current US tour and this fall directed a new hip-hop musical version of Lookingglass Alice at Baltimore Centerstage.
Other Regional and NYC directing credits include productions at: Actors Theatre of Louisville, Alley Theatre, Alliance, Baltimore Centerstage, Cleveland Playhouse, Dorset Theatre, George Street Playhouse, Goodman, Jungle, Kansas City Rep, McCarter, Mixed Blood, New Victory, Olney, Open Fist, People’s Light & Theatre, Repertory Theatre of St Louis, Royal George, Steppenwolf Theatre, Theater J, Theatre Latte Da, Victory Gardens, and Workhaus Collective; workshops at O’Neill Playwrights’ Conference, New York Stage and Film, JAW – Portland Center Stage, Pasadena Playhouse, Denver Center New Play Summit, New Harmony, Bay Area Playwrights Festival, and Woolly Mammoth.
As Founding Artistic Director of Naked Eye Theatre Company (Chicago), Cohen developed/directed more than 15 plays, including several premieres.
He has received numerous directing awards and nominations, an NEA/TCG Directors Fellowship, and a Northwestern University grant for his play 12 Volt Heart. His last play Boys Will Be Boys (co-created with Carl Flink) was developed with the Guthrie Theatre and he is currently under commission by A.C.T. & ZSpace (San Francisco) for his co-written play with Dipika Guha, Malicious Animal Magnetism.
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Joshua Dachs has led Fisher Dachs Associates since 1984, and is recognized as one of the world's leading theatre planning and design consultants. Founded by nine-time Tony Award winner Jules Fisher, FDA has undertaken over 1,000 projects in over a dozen countries on five continents, including opera houses, concert halls, touring houses, dance and drama theatres, recital halls, conservatories, and educational theaters. He has worked on new building projects for many of America's leading drama companies, including over a dozen TCG member theatres. In previous lives, he has been a producer, a scenic and lighting designer, and a violinist. He has been a guest lecturer and critic at Harvard's Graduate School of Design, SCI-Arc, and the UCLA School of Architecture. He is a member of the American Society of Theatre Consultants and the International Society for the Performing Arts. A graduate of the High School of Music and Art in New York City, he holds a Bachelor of Architecture degree from Cornell University. Josh's wife, Ako, is a stage, television, and film actress, as well as the founding artistic director of Amaterasu Za — a unique bilingual Japanese/English theatre company.
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Will Davis is a trans-identified director and choreographer focused on physically adventurous new work. Recent and upcoming projects include: The Carpenter by Rob Askins for the Alley Theatre; India Pale Ale by Jaclyn Backhaus for MTC; Bobbie Clearly by Alex Lubischer for Roundabout Underground; Charm by Philip Dawkins for MCC; Welcome to Jesus by Janine Nabers, We're Gonna Be Okay by Basil Kriemendahl, Picnic by William Inge all for ATC; Men on Boats by Jaclyn Backhaus for Clubbed Thumb's Summerworks, Playwrights Horizons and ATC, for which he was nominated for a Lucille Nortel award; Duat by Daniel Alexander Jones for Soho Rep. He is the recipient of a Helen Hayes award for outstanding direction, an alum of the Soho Rep Writer/Director Lab, the NYTW 2050 Directing Fellowship and the BAX (Brooklyn Art Exchange) artist in residence program. He is a member of the TCG board and the Jubilee planning committee.
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Snehal Desai is the Producing Artistic Director of East West Players, the nation's largest Asian-American theater company and one of the longest running theaters of color in the country. He has directed plays at venues from The Old Globe in San Diego to Boom Arts in Portland, Oregon to the Old Vic in London, and worked at more than a dozen theaters in New York City. Desai is also a member of the Asian Pacific American Media Coalition (APAMC) and serves on the board of the Consortium of Asian American Theaters and Artists (Caata) and Los Feliz Charter School for the Arts (LFCSA). He was previously the Associate Artistic Director and Literary Manager at East West Players. Desai has also served as Resident Director of Theater Emory; participated in the Lincoln Center Directors Lab; and was a literary fellow with London’s Royal Shakespeare Company.
A Soros Fellow and the recipient of a Tanne Award, Desai was in the Inaugural Class of Theatre Communications Group’s (TCG) “Spark” Leadership Program. He was also the Inaugural Recipient of the Drama League’s Classical Directing Fellowship. Snehal is on the faculty of USC's graduate program in Arts Leadership where he teaches, Executive Arts Leadership. Snehal is a graduate of Emory University and received his M.F.A. in Directing from the Yale School of Drama.
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Kelvin Dinkins Jr. is the Assistant Dean, General Manager, and Lecturer in Theater Management for Yale School of Drama/Yale Repertory Theatre in New Haven, CT. Kelvin developed his passion for theater management and producing while an undergraduate at Princeton University where he received his A.B. degree in English and received a Certificate in Theatre & Dance from the Lewis Center for the Arts. He earned his M.F.A. in Theatre Management & Producing from Columbia University’s School of the Arts. Prior to Yale, Kelvin served as General Manager at Two River Theater in Red Bank, New Jersey. He has worked as Communications & Development Manager at The Civilians in NYC; Development Fellow at the National Corporate Theatre Fund, and Associate General Manager at Intiman Theatre in Seattle. Kelvin currently serves on the Board of Directors for the League of Resident Theatres (LORT) and is the Chair of the LORT Equity, Diversity and Inclusion Initiative. Kelvin is a member of the inaugural Theatre Communications Group (TCG) SPARK Leadership Program for the professional development of leaders of color and was recently awarded TCG’s Leadership(U): Continuing Ed grant to study new producing models, institutional leadership transition and inclusion in art and community. Kelvin was selected to join the Banff Centre for Creative Leadership’s cohort for the “New Fundamentals: Leadership in the Creative Ecology” program for leaders committed to creating the future of their sector by drawing on the strengths and unique qualities of creative work. Kelvin also serves as a member of the Graduate Board of Trustees for the Princeton University Triangle Club.
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Teresa Eyring joined TCG as executive director in March 2007. Ms. Eyring has been an executive in theatres around the U.S. for over twenty years. Prior to joining TCG, she served as managing director of the Children’s Theatre Company (CTC) in Minneapolis since 1999. Eyring began her theatre career as director of development for the Woolly Mammoth Theater Company in Washington, D.C. in 1983. She completed an MFA in theater administration at the Yale School of Drama between 1986 and 1989. From 1989-1993, she was assistant executive director of the Guthrie Theater in Minneapolis, where she handled artist contracts, play commissions, and oversaw a $5 million theater renovation project . From 1994-99, she was managing director of the Wilma Theater in Philadelphia, where she spearheaded completion of an $8 million capital campaign and oversaw the construction and transition to a new 24,000 square foot theater facility on Philadelphia’s Avenue of the Arts. She was named a ‘Woman to Watch” by the Twin Cities Business Journal in July 2005. Eyring’s past affiliations include service as chairwoman of the Theatre Alliance of Greater Philadelphia, board member of WYBE-TV, executive committee member of the League of Resident Theaters; board member and Treasurer of Minnesota Citizens for the Arts; and board member of Intermedia Arts. She currently serves on the boards of the Performing Arts Alliance and The Actor's Fund. Eyring holds a BA from Stanford University and an MFA from Yale School of Drama.
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Larissa FastHorse (Sicangu Lakota) is an award winning playwright, director and choreographer. Larissa's produced plays include What Would Crazy Horse Do? (KCRep, Relative Theatrics), Urban Rez (Cornerstone Theater Company, ASU Gammage, NEFA National tour 2019-20), Landless and Cow Pie Bingo (AlterTheater), Average Family (Children’s Theater Company of Minneapolis), Teaching Disco Squaredancing to Our Elders: a Class Presentation (Native Voices at the Autry), Vanishing Point(Eagle Project) and Cherokee Family Reunion (Mountainside Theater). The Thanksgiving Play (Artists Rep) will be produced by Playwrights Horizons and Cincinnati Playhouse next season. Larissa directed the critically acclaimed play, Our Voices Will Be Heard (Perseverance Theater Company) and is developing several new projects to direct with an emphasis on cross cultural community engaged work between Indigenous nations.
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Additional theaters that have commissioned or developed plays with Larissa include History Theater, Kennedy Center TYA, Baltimore’s Center Stage, Arizona Theater Company, Mixed Blood, Perseverance Theater Company, The Lark Playwrights Week, the Center Theatre Group Writer’s Workshop and Berkeley Rep’s Ground Floor. Larissa was awarded the PEN USA Literary Award for Drama, NEA Distinguished New Play Development Grant, Joe Dowling Annamaghkerrig Fellowship, AATE Distinguished Play Award, Inge Residency, Sundance/Ford Foundation Fellowship, Aurand Harris Fellowship, the UCLA Native American Program Woman of the Year and numerous Ford, Mellon and NEA Grants. She is a current member of the Playwright’s Union, Director’s Lab West 2015, and Playwright’s Center Core Writers and co0founder of Indigenous Direction. She is represented by Jonathan Mills at Paradigm NY.
John Fontillas is a planner, architect, and partner in the firm (H3). He bridges the gap between the buildings we create and the city fabric in which we live. With zeal and foresight, he has a unique capacity to see the big picture and work across all scales, from the large canvas of the city to small architectural details. He was born in Oakland, California and raised in the San Francisco Bay area. John holds a Masters of Urban Planning/Policy from New York University and a Bachelor of Arts in Architecture from University of California, Berkeley. He is a member of American Institute of Architects, American Planning Association, Urban Land Institute, Forum for Urban Design, Design Trust for Public Space, Municipal Arts Society, Planning Committee, and Brooklyn Community Board #7.
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Nataki Garrett is the former Associate Artistic Director of Denver Center for the Performing Arts Theater Company (DCPA). Her stellar 17/18 season which includes the MainStage, Off Center and Colorado New Play Summit programming, has been one of the most successful in the 40 year history of the Denver Center Theater Company. Garrett also initiated and negotiated the first two co-world premieres in 10 years for two DCPA commissioned plays – The Great Leap by Lauren Yee with Seattle Rep and American Mariachi by Jose Cruz Gonzales with the Old Globe Theatre. Garrett’s DCPA season is being touted as fully inclusive, adventurous and at times outlandish, representing a broad-ranging view of the human condition. In the last year Garrett helped to raise over $350K in funding from the National Endowment for the Arts, The Schubert Foundation, the Edgerton and Carnegie Mellon foundations and individual donors from across the Rocky Mountain region.
Company Member at Woolly Mammoth Theatre Company a recipient of the National Endowment for the Arts and Theater Communications Group Career Development Fellowship for Directors and a member of Society of Stage Directors and Choreographers.
Nataki Garrett is the co-founder and co-Artistic Director of BLANK THE DOG PRODUCTIONS (BTD) a LA/NYC based ensemble Theater Company, which is celebrating its 11th year and is dedicated to developing and fostering new work, deconstructions and world premieres by emerging, adventurous and experimental artists. Garrett’s forte and passion is in the fostering and development of new work. She recently opened two new plays BLKS by Aziza Barnes at Steppenwolf and Jefferson’s Garden by Timberlake Wertenbaker at Ford's Theater. She also directed Smart People by Lydia Diamond and a remount of An Octoroon by Branden Jacobs-Jenkins at Woolly Mammoth after a critically acclaimed run the previous year. This production received a Helen Hayes award nomination.
In 2008 Garrett received a NAACP Theatre Award nomination for Best Director for Black Women State of the Union: An Evening of Plays by Black Women. She directed the first professional production of Neighbors by Branden Jacobs-Jenkins which received 5 Ovation Award nominations including Best Production (The Matrix Theater) and was Winner of the Garland Award for Best Ensemble. You can see Garrett’s upcoming work at CalShakes, Dallas Theater Center and Oregon Shakespeare Festival.
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Angela Gieras joined KCRep as Executive Director in 2013 and co-leads with the artistic director to fulfill KCRep’s vision and mission. She is a passionate change-agent and fierce advocate of EDI and female leadership. Since arriving at KC Rep, the organization has completed a $5.5 million campaign to renovate Spencer Theatre; created a five-year $5 million plan to grow audiences, new work and education; increased operational fundraising by 70%; increased single ticket sales by 50%; and broke box office records for plays and A Christmas Carol. In 2018, she launched a study of co-leadership in LORT theatres. She interviewed theatre leaders around the country to determine commonalities of successful partnerships. With the help of TCG, she will be extending the study through an online survey and share results with the national field in late 2019. Also in 2018, she launched Inspired Arts Management, LLC to build stronger leaders in the field. Angela earned an MBA and MA from SMU and a BS in finance from UF. She has lectured at SMU, UF and UMKC. Gieras is a member of Executive Women’s Leadership Council. She serves on the Board and EDI committee of LORT. She is a founding board member for Theatre Alliance of Kansas City.
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Derek Goldman is an award-winning stage director, playwright/adapter, developer of new work, educator, and published scholar, whose artistic work has been seen around the country, Off-Broadway, and internationally. His work has been produced and developed at theaters such as Steppenwolf, Lincoln Center, Arena Stage, CenterStage, Folger, Round House, Everyman, Theater J, Mosaic, Synetic, the Kennedy Center, Ford's Theater, McCarter, Segal Center (Montreal), Northern Stage, Forum, Olney Theater Center (where he is an Artistic Associate), and others. He is Professor of Theater and Performance Studies at Georgetown University where he is co-Director of the Laboratory for Global Performance and Politics, which he founded with Ambassador Cynthia Schneider with the mission of harnessing the power of performance to humanize global politics. From 2007-2016, he served as Artistic Director of the Davis Performing Arts Center at Georgetown. He is a Founding Director of Unesco's UNITWIN Global Network of Higher Education in the Performing Arts (based in Shanghai), and a partner with TCG on the creation of the Global Theatre Initiative. He is also Founding Artistic Director of the StreetSigns Center for Literature and Performance, an award-winning professional theatre founded in Chicago and now based in Chapel Hill NC. He is the author of more than 30 professionally produced plays and adaptations, including work published by Samuel French, and he has directed over 80 productions. Recent highlights include A Streetcar Named Desire at Everyman; Our Class at Theater J (Helen Hayes Nominated for Outstanding Resident Play); Grounded at Everyman and Olney (to be remounted at Northern Stage) and The Brothers Size at Everyman; his world-premiere adaptation of David Grossman's novel Falling Out of Time (Theater J); his adaptation of Three Men in a Boat (Helen Hayes Nomination for Outstanding New Work/ Adaptation) at Synetic; the World Premiere of Jay O. Sanders' Rwanda epic Unexplored Interior, the inaugural production of Mosaic Theater; Theodore Bikel's Sholom Aleichem: Laughter through Tears, which he developed with Bikel and toured internationally after hit runs Off-Broadway (Drama Desk Nomination) and at Theater J. His original play about Polish War hero Jan Karski, featuring David Strathairn, was recently presented at the opening of the Museum of the History of Polish Jews in Warsaw and in residence at the Museum of Jewish Heritage in NYC. He received his Ph. D. in Performance Studies from Northwestern University. In 2016 he received the prestigious President's Award for Distinguished Scholar-Teachers.
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Jamie Herlich McIalwain is an arts leader with an entrepreneurial edge in the Pacific Northwest. Her extensive career in (and passion for) theatre provides a unique perspective on the challenges and opportunities in the field. She is committed to maximizing an organization’s overall impact by bringing and implementing new ideas in order to ensure an organization’s long-term sustainability, and increase its visibility and reach.
Since 2013, she has connected donors to the mission of Seattle Repertory Theatre as Director of Development; increasing overall contributed revenue by 54% in five seasons (including 100% growth in individual giving). Achieving this while the organization transitioned to a new executive leadership team is a testament to the trust and confidence that Jamie instills, as well as her diligence and tenacity. Jamie is a key educator in the region, having been an adjunct professor in the Arts Leadership program at Seattle University and co-founding the Fundraising for the Arts Task Force (an educational and networking resource for arts development professionals). Jamie’s leadership roles have included Director of Advancement and Communications at Edmonds Center for the Arts and Managing Director of New Century Theatre Company (NCTC), a company which she also co-founded. Prior board service includes Washington State Thespians (2006-2012) and NCTC (2013-2016). Jamie created and now is the business manager of a producing company, Letters Aloud, a reading series, now touring throughout the US.
Jamie has a BMus from Western Washington University and received her MFA in Arts Leadership from Seattle University; she graduated from Leadership Tomorrow in 2016.
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Susan Hilferty is a costume and set designer to over 300 productions around the globe including the U.S, UK, Canada, Japan, Australia, Korea, Mexico, Canada, Malaysia, Spain, Brazil, Germany, and South Africa. Her Broadway designs include Wicked (Tony, Outer Critics Circle and Drama Desk awards, Olivier nomination), Spring Awakening, Lestat, Present Laughter (Tony nominations), Into the Woods (Tony and Drama Desk nominations; Hewes Award), Annie, and Radio Golf. Her designs for opera include Traviata and Rigoletto for the Metropolitan Opera and Manon at LA Opera and Berlin Staatsoper. Recent off-Broadway and regional designs include Richard Nelson’s Apple Family Plays and The Gabriels plays (Public Theatre and European tour), Love, Love, Love (Roundabout Theatre Co, Lucille Lortel Award), Salomé (Shakespeare Theatre Co, Helen Hayes Award for Set Design also National Theatre, UK), Mercury Fur, Buried Child and Sticks and Bones(New Group),The Spoils (New Group and West End) as well as more than 40 collaborations with Athol Fugard. She has designed extensively across the country, at regional theatres including the Guthrie (where she was a resident artist), McCarter, Goodman, La Jolla Playhouse, Shakespeare Theatre Co, Williamstown, Alley, Mark Taper Forum and Yale Repertory Theatre. Hilferty also designs for film (Laurie Anderson’s Home of the Brave), dance (Alvin Ailey), the circus (Ringling Bros. Barnum & Bailey) and concerts (Taylor Swift SPEAK NOW World Tour). Hilferty’s many awards include an OBIE for Sustained Excellence in Design, the Lilly Award and the Ruth Morley Design Award from the League of Professional Theatre Women. She is Chair of the Graduate Department of Design for Stage and Film at NYU’s Tisch School of the Arts.
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Rebecca Hopkins serves as Managing Director for Florida Studio Theatre, and as such is the Chief Operations Officer. Mrs. Hopkins is responsible for oversight of FST's overall Administration, including the Business Office, Development, Marketing, Box Office, Front of House, Restaurant, budgeting and maintaining the overall quality of FST's internal management functions. She works in concert with the Artistic Director, in the creation and implementation of FST's long-range plans. Mrs. Hopkins serves as FST's liaison to other arts and theatre industry organizations. Nationally, Mrs. Hopkins serves as President for the National New Play Network and on the Executive Committee for the League of Resident Theatres. She also serves on the Board of Theatre Communications Group. Locally, she is on the Board of Directors for the Arts and Cultural Alliance of Sarasota County. She has served as a panelist for the Florida Arts Council. In addition, Mrs. Hopkins developed FST's Improvisation program and the Sarasota Improv Festival. Mrs. Hopkins is actively involved in new play development for the Cabaret having co-created over 30 musical revues including British Invasion, American Pie, Poems, Prayers and Promises, That’s Life, The Wanderers. She is head-writer for the highly successful and critically-lauded Laughing Matters Series. Previous to her employment with Florida Studio Theatre, Mrs. Hopkins served as the Audience Development Coordinator for the Largo Cultural Center and as a company member for the Austin Shakespeare Festival and the Zachary Scott Theatre. Mrs. Hopkins received her education from Georgia State University and Eckerd College. In 2005, she was the recipient of the Gulf Coast Business Review's Top Forty Under Forty. In 2012 she was the recipient of the Cultural Champion Award from the Arts and Cultural Alliance and the 2016 Sarasota Fine Arts Society’s Luminaire Award.
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Mara Isaacs is a Tony® Award winning producer and founder of Octopus Theatricals, an independent company dedicated fostering an expansive range of compelling theatrical works for local, national and international audiences. She has produced over 150 productions that have been seen on Broadway (Hadestown, Vanya and Sonia and Masha and Spike, Translations, Anna in the Tropics, Electra), off-Broadway (Hadestown, Fiasco Theater’s Into The Woods, The Brother/Sister Plays, Crowns, The Laramie Project), at theaters and performing arts centers around the US and the world (UK, Europe, Middle East, South America, South Africa, Canada). Current projects include Iphigenia by Wayne Shorter and Esperanza Spalding; Dreaming Zenzile by Somi Kakoma; Detroit Red by Will Power; Voice Over by Lola Arias; Theatre for One; and An Iliad starring Denis O’Hare. She is director of Project Springboard: Developing Dance Musicals, and Artistic Advisor to Fiasco Theater. She is proud to produce the work of Phantom Limb Company, Song of the Goat Theatre and more. She served as Producing Director at McCarter Theater Center in Princeton, NJ for 18 seasons and previously produced new play development programs and productions for Center Theatre Group/Mark Taper Forum in Los Angeles. She is currently visiting faculty for CalArts School of Theatre and for Princeton University’s Lewis Center for the Arts. www.octopustheatricals.com
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Kathryn M. Lipuma (Executive Director) has served as the Executive Director of Writers Theatre since March 2007 where she is responsible for overseeing all management, administration and operations for the company. Most recently, she led the planning and construction of WT's new state-of-the-art theater complex, designed by internationally renowned architect and MacArthur Fellow and "Genius" grant recipient Jeanne Gang of Studio Gang Architects, which opened in February 2016. Prior to Writers, Lipuma spent nine seasons as Executive Director at the Tony Award-winning Signature Theatre Company in New York. At Signature, she produced award-winning revivals of Horton Foote’s The Trip to Bountiful, August Wilson’s Seven Guitars and Lanford Wilson’s Burn This and worked with such acclaimed writers as Edward Albee, Lee Blessing, Horton Foote, Maria Irene Fornés, John Guare, Bill Irwin, Romulus Linney, Paula Vogel, August Wilson and Lanford Wilson. During her tenure, the organization enjoyed consistent growth and recognition as well as the launch of Signature Theatre Company's successful $15 Ticket Program. Prior to her time at Signature, she spent six years with Chicago’s Goodman Theatre. Lipuma is the Chair of the Board of Directors of Theatre Communications Group (TCG), the national organization for the American theatre and the immediate past Chair of the Board of Directors of the League of Chicago Theatres, an alliance representing more than 200 Chicago-area theater companies and producers. She is a member of The Chicago Network, an organization of 400 leading women of Chicago business, professional, cultural, nonprofit and educational communities. She is also the co-creator of DoNorth, an umbrella organization joining four cultural neighbors - Chicago Botanic Garden, Kohl Children’s Museum, Ravinia Festival and Writers Theatre - to attract new audiences to the cultural, environmental and community activities of the North Shore. She is a graduate of The George Washington University in Washington, D.C.
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Laurie McCants co-founded the Bloomsburg Theatre Ensemble (BTE) in 1978, where she co-created HARD COAL, OUR SHADOWS (with Egypt’s Wamda), and SUSQUEHANNA: MIGHTY, MUDDY, CROOKED RIVER OF THE LONG REACH. In 2010, she was named a national “Actor of Distinguished Achievement” through a Fox Foundation Resident Actor Fellowship, funded by the William & Eva Fox Foundation and administered by Theatre Communications Group. She served as Co-President of the Board of the national Network of Ensemble Theaters. She recently directed the world premiere of GUNPOWDER JOE, Anthony Clarvoe’s play about Joseph Priestley. She is currently preparing to revive her solo show, INDUSTRIOUS ANGELS, for a return run at the Ko Festival of Performance in Amherst, Massachusetts this August and at BTE next January.
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Johamy Morales holds an MFA in acting from The Ohio State University, with a specialization in outreach and devising new work, and a BA in Theatre from San Diego State University. Johamy currently serves as the Director of Education at Seattle Children’s Theatre (SCT) and as a Trustee for Theatre Communication Group (TCG). Johamy has served on the theatre panel for Colorado Creative Industries, TCG’s Rising Leaders of Color, Creede Pride Committee and Theatre for Young Audiences/USA webinar series. Prior to working with SCT, Johamy served as the Education Director for Creede Repertory Theatre in Creede, Colorado and directed the Comparative Arts Department and the Junior Musical Theatre Program at Interlochen Center for the Arts in Interlochen, Michigan. Johamy has worked with Arena Stage in Washington D.C. and the La Jolla Playhouse through their education programs as a teaching artist. Johamy is an alumnus of the Allen Lee Hughes Fellowship at Arena Stage and the British American Drama Academy in Oxford, England, where she studied Contemporary & Classical works with Deborah Warner and Fiona Shaw. Johamy toured with the cast of New World Jukebox where she performed in the 2006 Grahamstown National Arts Festival, in Grahamstown, South Africa and with San Diego State University in, Carnaval de Calaveras, with performances in Oaxaca, Veracruz, and Mexico D.F. in 2004. In February of 2017, Johamy collaborated with the US State Department, the US Embassy & Consulate and several NGO’s to promote awareness of domestic and gender violence in Kolkata and Ranchi, India. As an educator, artist, and director Johamy has worked with various schools and nonprofit organizations both nationally and internationally including Hope College, Fort Lewis College, University of San Diego, Esperanza Charter School, Wexner Center, Dennos Museum, Students in Transition Empowerment Program, Traverse City Continuation School, Blackbird Arts and Columbus Refugee & Immigration Services.
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Kevin Moriarty is artistic director of Dallas Theater Center, where he has directed A Midsummer Night’s Dream; King Lear; Electra; It's a Bird, It's a Plane, It's Superman; Hair; Colossal and others. Since 2007 he has led DTC through many new initiatives, including the launch of Public Works Dallas; the creation of the Brierley Resident Acting Company; an extensive series of new play productions and commissions; community collaborations with North Texas Food Bank, Dallas Holocaust Museum, Dallas Museum of Art, and most of the region's theaters; and educational partnerships with Booker T. Washington High School and SMU. Before joining DTC, Kevin served as artistic director of Hangar Theatre in Ithaca, NY. From 2002-2007 he was Head of Directing for the Brown University/Trinity Rep MFA Program, and an Associate Artist at Trinity Rep Company. His operatic directing work includes The Lighthouse and The Marriage of Figaro for The Dallas Opera. Kevin has also directed plays off-Broadway and at regional theaters nation-wide. He has served as chair of the TCG board; chair of the Dallas Arts District; vice-president of National Alliance for Musical Theatre; and as a member of the Dallas Assembly. Kevin is a recipient of a Drama League directing fellowship and a graduate of the University of Wisconsin.
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As Artistic Director of The Ensemble Theatre Eileen J. Morris has produced over 87 productions which include eight world premieres, over 64 regional premieres and directed over 80 productions throughout her career. She is part of the First Cohort of the BOLD Theater Women's Leadership Circle and was named the 2017 Houston Women Magazine 50 Most Influential Women, Broadway World Houston Awards Best Director for Sassy Mamas and received the 2016 Houston Press Theater Award for Best Director for August Wilson’s Fences. Her most recent Ensemble Theatre directing credits include School Girls; Or, the African Mean Girls Play, Freeda Peoples, Too Heavy For Your Pocket, ‘da kink in my hair, Ma Rainey’s Black Bottom, Eighth Day of the Week, Front Porch Society, Sassy Mamas, Plenty of Time, Detroit ’67, What I Learned in Paris, Women in the Pit, and By the Way Meet Vera Stark to name a few. Under her artistic leadership, The Ensemble Theatre received the 2013 Houston Press Best Season Theater Award and has performed at The Winston Salem- National Black Theatre Festival for the past ten years.
In Pittsburgh, she directs annually with the New Horizon Theater and has ties that include Pittsburgh Playwright’s Theatre, Kuntu Repertory Theatre, and City Theatre.
In Houston, her directing credits include the 2016 Houston Grand Opera world premiere of What Wings They Were: The Story of Emeline and the 2010 Alley Theatre’s production of I, Barbara Jordan. In 2017 she received the Black Theatre Network’s Larry Leon Hamlin Award, the BCCM Kim Kupp Award, and was recognized as one of Houston’s Top 50 Black Professionals and Entrepreneurs by D-MARS.com. She is a 2016 recipient of the PACE Foundation Community Award and received the 2016 Houston Community College- Central Campus Unstoppable Leaders Award. Currently, she serves as secretary on the board of the Theatre Communications Group, board member, secretary and Cultural Arts Committee Chair of the Midtown Management District, a board member of the Black Theatre Network and a newly appointed board member of the Houston Cinema Arts Society. A graduate of Northern Illinois University, Eileen holds the distinct privilege of being the ONLY woman in the country to direct eight plays of the August Wilson Ten Play Cycle.
This August Wilson quote embodies her creative journey: “Art does not change the world; it changes people; and people change the world.
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Lisa Portes is a director, educator and leader dedicated to expanding the circle of Americans reflected in 21st century American theatre. She heads the MFA Directing Program at The Theatre School at DePaul University and serves as Artistic Director for Chicago Playworks for Young Audiences. Lisa is a co-founder of the Latina/o Theatre Commons (LTC) and served as artistic producer of the LTC Carnaval 2015, a festival of new Latina/o plays. Her work has been seen regionally at Steppenwolf Theatre, Goodman Theatre, Victory Gardens Theatre, Guthrie Theatre, South Coast Rep, the Kennedy Center, Timeline Theatre, Next Theatre, Silk Road Rising, and Teatro Vista. In New York she has directed work for Playwrights Horizons and Soho Rep, and developed projects at New York Theatre Workshop, the Flea Theatre and the Public Theatre. Lisa was a participant in the inaugural SPARK Leadership program supported by American Express and the Joyce Foundation, and administered by TCG. She is a past recipient of the NEA/TCG Career Development grant for Directors, as well as an alum of the Drama League Directing Fellowship program. Recent projects include This Is Modern Art by Idris Goodwin and Kevin Coval (Steppenwolf Theatre) and Grounded by George Brant (American Blues Theatre). Upcoming projects include TRANSit by Darren Canady (American Blues Theatre), Disgraced by Ayad Akhtar at Cincinnati Playhouse and Night Runner by Ike Holter (Chicago Playworks). She lives in Chicago with her husband, playwright, Carlos Murillo and their two children, Eva Rose and Carlos Alejandro.Back to top
Meghan Pressman joined Center Theatre Group as Managing Director / CEO in 2019. Previously, she served as Managing Director of Woolly Mammoth Theatre Company (D.C.), Director of Development for Signature Theatre (N.Y.), Associate Managing Director of Berkeley Rep, and Managing Director for The Ground Floor: Berkeley Rep’s Center for the Creation and Development of New Work. She has worked at numerous other theatre and arts organizations across the country including Yale Repertory Theatre as Associate Managing Cirector, Chicago Theatre for Young Audiences as Co-Founding Managing Director, and at the Chicago Improv Festival as an Associate Producer. She holds an MFA in theatre management from Yale School of Drama, an MBA from Yale School of Management, an MA from Northwestern University, and a BA from Boston College. At Yale, she was the recipient of the Morris J. Kaplan Award and the Benjamin Mordecai Scholarship, both for recognition in theatre management. She is the Vice-Chair of the National Board for the Theatre Communications Group (TCG).
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Francine T. Reynolds is in her 11th year as Artistic Director at New Stage Theatre in Jackson, Mississippi, where she has directed several plays including Best of Enemies, The Grapes of Wrath, The Miss Firecracker Contest, A Soldier’s Play, Gee’s Bend, Cat on a Hot Tin Roof, and Hairspray. She directed regional premieres of All The Way, A Time to Kill, Doubt, Lombardi, The Great Gatsby, and The Whipping Man. New Stage is in its 51st season and Ms. Reynolds has overseen tremendous growth in programming including the expansion of The Eudora Welty New Plays Series, which awards three top playwrights during a festival of new plays, and the creation of the Unframed at New Stage Theatre Series for contemporary plays and emerging artists. The theatre recently purchased a 75-seat theatre to enhance production of the series which has produced works such as Smart People, Stick Fly, Next Fall, Race, and Circle Mirror Transformation. Under her artistic leadership, the theatre’s attendance has increased yearly and education program audiences and participation has doubled. The theatre received the 2016 Partner of the Year from the Mississippi Humanities Council. Panels and associations include the National Endowment for the Arts 2013 grants panel, Poetry Outloud, Southeastern Theatre Conference adjudicator, Mississippi Arts Commission grants panel, Mississippi Alliance for Arts Education Board of Directors (President) and Mississippi Theatre Association Board of Directors. She facilitated sessions at the 2015, 2016 and 2017 TCG conferences. Reynolds worked as a locations casting director for several years. The last feature film she cast, Ballast, won top awards at the Sundance Film Festival. Also an actor, she most recently appeared in 33 Variations as Dr. Kathryn Brandt, Other Desert Cities, as Lucille in Dividing the Estate and as Edna Earle in Eudora Welty’s The Ponder Heart. Reynolds was a member of the Leadership Mississippi Class of 2014. Originally from the Upper Peninsula of Michigan, Reynolds enjoys living in Jackson with her husband, Chuck.
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Anthony Rodriguez is the Co-Founder and Producing Artistic Director of Aurora Theatre in Lawrenceville, GA, a suburb of Atlanta. Now, the second largest professional theatre in the state of Georgia, Aurora is driven by a mission to create a new generation of theatregoers. Aurora Theatre produces an astounding 800+ events each year for over 80,000 visitors offering a wide variety of programming to accommodate the needs of Gwinnett County, the most diverse county in the Southeast. Under Mr. Rodriguez’s leadership, the theatre has grown from 120 season subscribers to an impressive 5,000+. Anthony serves on various boards in the community, including Gwinnett Chamber of Commerce, Georgia Hispanic Chamber of Commerce, the Citizens Advisory Board for Gwinnett Clean and Beautiful, the National Steering Committee for Latinx Theatre Commons, the Advisory Board for Public Broadcasting Atlanta which includes the NPR station WABE and PBS station PBA30, and the National Alliance for Musical Theatre. Anthony was inducted into the Georgia Theatre Conference Hall of Fame in 2017 and named one of the 50 Most Influential Latinos in Georgia by the Georgia Hispanic Chamber of Commerce in 2018. Anthony graduated from the University of Georgia with a Bachelors of Fine Arts. Anthony is excited and inspired to now serve on the Theatre Communications Group Board of Directors. He resides in Duluth with his partner in life, Ann-Carol Pence.
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Ellen Richard is the Executive Director of the Laguna Playhouse where she oversees all Artistic and Management functions of this LORT C Theatre Company. Prior to the Playhouse she served as Executive Director of The American Conservatory Theatre in San Francisco where she was responsible for overseeing the acquisition, design and construction of The Strand Theatre. She created a black box Theatre for A.C.T - The Costume Shop, and envisioned and created a space sharing initiate that allowed smaller nonprofit groups to use the space at no cost. To support A.C.T.’s MFA program, she conceptualized the San Francisco Semester, an accredited program for undergraduates studying away from their home universities. Ellen previously served as the Executive Director of New York’s Second Stage Theatre, where she was responsible for the purchase of the Helen Hayes Theatre. From 1983 to 2005. Richard enjoyed a varied career with Roundabout Theatre Company. By the time she departed as Managing Director, Roundabout had been transformed from a small nonprofit in bankruptcy to one of the country’s most successful theatre companies of its kind. Producer of more than 125 shows at Roundabout, she is the recipient of six Tony Awards, for Cabaret, A View from the Bridge, Side Man, Nine, Assassins and Glengarry Glen Ross. She also oversaw the redesign and construction of three Roundabout stages - Studio 54, The American Airlines Theatre, and the Harold and Miriam Steinberg Center for Theatre. Prior to Roundabout, Richard served in management positions at Westport Country Playhouse, Stamford Center for the Arts, The Hartman Theatre and Atlas Scenic Studio. She began her career working as a stagehand, sound designer, and scenic artist assistant.
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Blake Robison is Artistic Director of Cincinnati Playhouse in the Park where he has re-conceived the theater’s artistic model to include a diverse group of associate artists, embraced the Playhouse’s tradition of new work, made an ongoing commitment to produce culturally diverse plays and multi-generational works, and deepened community engagement. World premieres under his leadership have included plays by Karen Zacarias, Deborah Zoe Laufer, Jen Silverman, Anna Ziegler, Lauren Gunderson, Martin Zimmerman, Allison Currin, Roberto Aguirre-Sacasa, and Keith Josef Adkins. Directing credits include productions at the Guthrie Theater, Arena Stage, Baltimore Center Stage, Milwaukee Rep, St. Louis Rep, Folger Theatre, and others. Internationally, he directed Summer and Smoke at English Theatre Berlin and toured productions to Avignon, Salzburg, and the Piccolo Spoleto Festival. Previously, he held leadership positions at Round House Theatre, Clarence Brown Theatre, and Vermont Stage Company (which he founded in 1994). He served two years on the LORT executive committee, and he has served as a grant panelist for the NEA and TCG.
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Nikkole Salter is an actress, playwright, educator and arts advocate best known as the co-author and co-star (with Danai Gurira) of the Pulitzer Prize nominated play, IN THE CONTINUUM (ITC). As an actress, Ms. Salter has performed in the regions and Off-Broadway, doing work with such renowned directors as Lisel tommy, Kenny Leon, Robert O'Hara and Tina Landau among many. As a dramatist, Ms. Salter has had work produced in 20 Off-Broadway and regional theatres, received has been published in 12 international publications, is the recipient of a 2014 MAP Fund Grant and a 2017 National New Play Network commission among others. The Crossroads Theatre Company production of her play REPAIRING A NATION was featured in the second season of the PBS show "Theatre: Close Up," hosted by Sigourney Weaver. Ms. Salter is also the co-founder (with NSangou Njikam) and Executive Director of THE CONTINUUM PROJECT, INC., a non-profit organization that creates engaging arts programming for community empowerment. The CP received two Brooklyn Arts Council Regrant Awards (Local Arts), in support of their initiative The Legacy Program and the program was featured on the nationally broadcast PBS series, “Finding Your Roots,” hosted by Harvard Professor Dr. Henry Louis Gates, Jr. www.thecontinuumproejct.org. Ms. Salter is a recipient of an OBIE Award, and the NY Outer Critics Circle's John Gassner Award, a Helen Hayes award, a Seldes-Kanin Fellowship from the Theatre Hall of Fame, and the Global Tolerance Award from the Friends of the United Nations. She received her BFA from Howard University and her MFA from New York University's Graduate Acting Program. www.nikkolesalter.com
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Tim Sanford Tim Sanford is the Artistic Director of Playwrights Horizons, the celebrated Off-Broadway theater company dedicated to cultivating the most important American playwrights, composers, and lyricists, as well as developing and producing their bold new plays and musicals. Tim came to Playwrights in 1984, beginning as a literary intern, then serving for nine years as Literary Manager and two years as Associate Artistic Director, before assuming leadership of the theater in January 1996. Under Tim’s leadership, Playwrights builds upon its diverse and renowned body of work, counting 400 writers among its artistic roster. In addition to its onstage work each season, Playwrights’ singular commitment to nurturing American theater artists guides all of the institution’s multifaceted initiatives: its acclaimed New Works Lab, a robust commissioning program, an innovative curriculum at its Theater School, and more. Playwrights has been recognized with numerous awards and honors, including six Pulitzer Prizes, 13 Tony Awards, and 39 Obie Awards. Playwrights Horizons received a special 2008 Drama Desk Award for “ongoing support to generations of theater artists and undiminished commitment to producing new work.” Tim is a past President of The Literary Managers and Dramaturgs of the Americas, a contributor to Dramaturgy in American Theater, and a Board member of Theater Communications Group. He has a B.A. from Occidental College and a Ph.D. in Dramatic Literature from Stanford University.
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Carlo Scandiuzzi Carlo has more than 30 years of experience as a philanthropist, executive, board member and community leader. As Executive Director of ACT Theatre, Carlo led the organization through a successful turnaround, fully activating a landmark building and generating a new hub of the creative community. As founder of Clear Pictures, IndieFlix and a successful concert promoter with Modern Productions, he made movies for global release, and brought musical legends to Seattle. As a philanthropist and board member for many organizations, Carlo knows how to invest and how to advise. He’s a trusted confidant for many, and a visionary leader.
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David Schmitz is entering his 15th season at Steppenwolf Theatre Company, in Chicago, IL, and has served in the role of Director of Finance and Administration, General Manager, Managing Director and currently as Executive Director. As Executive Director, Schmitz leads a staff of 140 full and part-time folxs, and is responsible at the executive level for strategy and execution of all fundraising, marketing, producing and business-related activities. His work ensures the ensemble of Steppenwolf have the resources and institutional support to achieve their creative ambitions in the present and the future. Prior to working at Steppenwolf, Schmitz was the General Manager at Lookingglass Theatre Company, Associate Artistic Director of Stage Left Theatre and Business Manager at the entertainment agency Adair Performance. Currently, he serves as a board member of the Arts Alliance Illinois and the League of Chicago Theatres, and is a former Vice President of the Board for The House Theatre of Chicago and board member for the Lincoln Park Chamber of Commerce. Schmitz is a founding member of Enrich Chicago, a cohort of arts organizations working to end racism in Chicago arts. He has worked as a strategic planning, business practices, finance and hiring consultant for numerous Chicago organizations, including The House Theatre of Chicago, The Hypocrites and Stage Left Theatre, among others. He holds a BA in Theatre from the University of Northern Colorado, an MFA from the Theatre Conservatory at the Chicago College of Performing Arts, Roosevelt University, a Certificate in Non-Profit Management from Roosevelt University, and completed the Chicago Management Institute, an executive education program through the University of Chicago, Booth School of Business.
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Hana S. Sharif is a director, playwright, producer and the Artistic Director of The Repertory Theatre of St. Louis. She has served as Associate Artistic Director at Baltimore Center Stage; Associate Artistic Director, Director of New Play Development, and Artistic Producer at Hartford Stage; Program Manager of the ArtsEmerson Ambassador Program; and as Developmental Producer/Tour Manager of Progress Theatre’s musical The Burnin’. Hana also served as co-founder and Artistic Director of Nasir Productions, which brings theatre to underserved communities. Her regional directing credits include: The Who & The What, Fun Home, Sense & Sensibility, The Christians, Les Liaisons Dangereuses, Pride & Prejudice (DCArts: Best Director/Best New Play), The Whipping Man, Gem of the Ocean (six CCC nominations), Gee’s Bend (CCC Award Best Ensemble, two nominations), Next Stop Africa, Cassie, The Drum, and IFdentity. Hana has directed numerous developmental workshops during her twenty years of championing New American plays and playwrights.
Her plays include All the Women I Used to Be, The Rise and Fall of Day, and The Sprott Cycle Trilogy. Hana is the recipient of the 2009–10 Aetna New Voices Fellowship and Theatre Communications Group (TCG) New Generations Fellowship. She serves on the board of directors for the Greater Baltimore Cultural Alliance and the Sprott Foundation.
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Harold Steward is a cultural organizer and arts administrator from Dallas, TX. He joined The Theater Offensive in Boston as the Managing Director in June of 2017 and oversees fund development, communications, and operations throughout the organization. Harold most recently served as Manager of the South Dallas Cultural Center, a division the City of Dallas Office of Cultural Affairs, which provides instruction and enrichment in the arts with an emphasis on the African contribution to world culture. Harold also founded Fahari Arts Institute in Dallas in 2009 after recognizing a gap in the landscape for local LGBTQ artists of color in Dallas. Fahari Arts Institute celebrates, displays, and produces the work of queer artists from the African Diaspora. Harold is a proud member of Alternate ROOTS, the Board of Directors for the National Performance Network/Visual Artists Network and Steering Committee of the Black Theater Commons. Harold is a founding member of NextGen National Arts Network and Founding Partner of Steward Cultural Development Group. As well as a Cultural Equity facilitator with Equity Quotient.
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Robert P. Warren is the president of The William & Eva Fox Foundation and has served in this capacity for over 15 years. He is an attorney who spent the majority of his career in various public service positions in State and Federal Government. He has been an Assistant District Attorney in the Manhattan D.A.’s Office, an Assistant United States Attorney in New Jersey and an Associate Independent Counsel in Washington, DC. Mr. Warren also served as the Associate Commissioner of the U.S. Customs Service in the George H.W. Bush Administration. Mr. Warren’s private sector experience includes being Senior Vice-President, General Counsel and Secretary of the Air Transport Association, Chair of the Board of Directors of Satotravel, Inc., Board member of the Universal Air Travel Program, and Executive Vice-President of the National Business Aviation Association. On numerous occasions, he has testified before Congressional committees and has lectured at the FBI Academy. Mr. Warren currently serves as president of a privately held investment company.
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