2012 Edgerton Foundation New Play Awards

What I Learned in Paris

by Pearl Cleage

at Alliance Theatre

Apples & Oranges

by Alfred Uhry, adapted from the memoir by Marie Brennar

at Alliance Theatre

Stuck Elevator

by Aaron Jafferis & Byron Au Yong

at American Conservatory Theater

Our Practical Heaven

by Anthony Clarvoe

at Aurora Theatre Company


by Caridad Svich

at Borderlands Theater

Beneatha's Place

by Kwame Kwei-Armah



by Reginald Edmund

at Chicago Dramatists


by Roberto Aguirre-Sacasa

at Cincinnati Playhouse in the Park


by Michael Golamco

at Geffen Playhouse

The Primrose Path

by Crispin Whittell

at Guthrie Theater

Breath & Imagination

by Daniel Beaty

at Hartford Stage

Nikolai and the Others

by Richard Nelson

at Lincoln Center Theater

Still Alice

by Adapted and Directed by Ensemble Member Christine Mary Dunford, Based on the novel by Lisa Genova

at Lookingglass Theatre Company

Another Way Home

by Anna Ziegler

at Magic Theatre

The Explorers Club

by Nell Benjamin

at Manhattan Theatre Club

Vanya and Sonia and Masha and Spike

by Christopher Durang

at McCarter Theatre Center

Stella & Lou

by Bruce Graham

at Northlight Theatre

The Liquid Plain

by Naomi Wallace

at Oregon Shakespeare Festival

The Unfortunates

by Jon Beavers, Casey Hurt, Ian Merrigan & Ramiz Monsef. Additional material by Kristoffer Diaz

at Oregon Shakespeare Festival

Stars of David

by Abigail Pogrebin, Charles Busch

at Philadelphia Theatre Company

The Flick

by Annie Baker

at Playwrights Horizons

The Great God Pan

by Amy Herzog

at Playwrights Horizons

How to Make a Rope Swing

by Shawn Fisher

at Salt Lake Acting Company

Pullman Porter Blues

by Cheryl L. West

at Seattle Repertory Theatre

Warrior Class

by Kenneth Lin

at Second Stage Theatre

Upright Grand

by Laura Schellhardt

at TheatreWorks

BlackTop Sky

by Christina Anderson

at Unicorn Theatre

“In a very real way, the opportunity afforded us by the Edgerton grant could not be more fitting. Jeffrey Hatcher’s Ten Chimneys is about the Lunts spending the summer at their estate in Wisconsin ‘investigating’ Chekhov’s play, The Seagull, before facing the quick and sudden rigors of New York rehearsals. In the same way that the Lunts appreciated the need for time and space to seep in the work they were tackling, the Edgerton grant will allow the artists the benefit of time for investigation. Receiving this Edgerton grant will allow the artists and the creative team invaluable time to immerse themselves more fully in the world of the Lunts in the late 1930’s and the themes of Jeffrey’s play. It will add to the authenticity and veracity of the work.”

- David Ira Goldstein, Artistic Director, Arizona Theatre Company, Tucson, AZ, Ten Chimneys, by Jeffrey Hatche

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